RE: Anthropoid Enigma

Pim van Meurs (entheta@eskimo.com)
Sun, 16 Aug 1998 03:10:20 -0700

Vernon:
You first make the point that the semitone is not constant. The example
you give is a good one but it relates only to 'chamber music' - i.e.
music involving small groups of players and representing a negligible
percentage of the total of music performed. That the twelfth root of two
is the 'natural' division of the octave can hardly be denied - the
universally acknowledged masterpieces of the classical and popular
repertoires surely confirm this as fact.>>

You are once again focusing on Western Music here. So perhaps the idea that 'the twelfth root of two' is the natural division is not correct ?

Vernon:
Your later comments re the experiments with alternative divisions put me
in mind of the sterile attempts to depart from the God-ordained working
week of 7 days. Clearly, as far as man is concerned, the present,
time-honoured, arrangement is the only acceptable one.>>

Is it ? That is very narrow minded imho of course. The fact that it is acceptable for you since it serve your purpose is not a workable definition of 'acceptable'

Vernon: However, interesting as these matters are, you have failed to address
the nub of my question: "What advantage does a singing hominid have in
the evolutionary scheme of things?">>

Why should there be an advantage ? For some animals, the ability to vocalize sounds does have an evolutionary advantage although it increases visibility to predators it also increases visibility to potential mates. Perhaps serenading increased a human's ability to find a mate (tongue in cheek).